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The NTG4 builds on the platform created by RØDE's award-winning NTG1 shotgun microphone. A broadcast-quality directional condenser microphone designed to provide premium audio recording in a versatile range of applications including on-camera and boom mounted.
Principe acoustique | Line Gradient |
Capsule | 0.50" |
Directivité | ![]() |
Captation | End |
Bande passante | 20Hz - 20kHz (HPF @75Hz) |
Impédance de sortie | 200Ω |
Niveau max. de pression sonore (SPL) | 135dB (@1kHz, 1% de distorsion harmonique sous 1kΩ) |
Sensibilité | -32.0dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Niveau de bruit équivalent (pondération A) | 16dBA |
Alimentation | ![]() ![]() ![]() |
Niveau de bruit équivalent (pondération A) | 126g |
Niveau de bruit équivalent (pondération A) | 225mmH x 22mmW x 22mmD |
Sortie | ![]() |
Garantie | 1 an avec extension gratuite de la garantie à 10 ans après enregistrement ici |
RØDE tweaked the capsule or capsule response in these two new mics, rolling off a bit of the low end that their NTG1 and NTG2 capture. I don’t find it to be a problem. There are shotgun mics like the Shure VP 89 that are obviously designed for run and gun ENG work in very noisy environments. On that series, the low end is markedly rolled off. Not so much on the NTG4 and NTG4+.
Yes they have revoiced the capsule, relative to the NTG1 and NTG2. I like the change; a little tighter low end.
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